Leevi Madetoja
The Ostrobothnians
Comedy and tragedy collide in Finland’s ‘national’ opera
Finland, the world’s happiest country, has also been dubbed the land of thousands of sad songs: violence, alcoholism and inequality lurk in the shadows of the Nordic welfare society.
Leevi Madetoja’s (1887–1947) The Ostrobothnians (”Pohjalaisia”) is often called Finland’s national opera, and rightly so. It’s a story about persistence, human rights, and freedom. Pohjalaisia was first performed in 1924. A century later, it reminds us of the timeless nature of stories that stir the human soul. The melodic music of the opera appeals to the emotions with its wistful undertones.
Now, The Ostrobothnians has been reinterpreted by some of Finland’s leading creatives. In his first opera, director Paavo Westerberg moves the story forward with cinematic impact.
synopsis
In a small village on the Ostrobothnian plains, the Sheriff, an imperious law enforcement officer, maintains order through violence, humiliating the local peasants. Antti’s escape from Harri’s house on his way to prison triggers a series of events that elevate freedom above life itself.
Full synopsis and other background information can be found in the programme leaflet.
creative team
- Music
- Leevi Madetoja
- Libretto after a play by Artturi Järviluoma
- Leevi Madetoja
- Conductor
- Kaapo Ijas
- Director
- Paavo Westerberg
- Sets
- Erlend Birkeland
- Costumes
- Maria Geber
- Lighting design
- Ellen Ruge
- Choreography
- Klevis Elmazaj
cast
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